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KEAMSAC2013 October
31 - November 2, 2013
Workshop Venue: Room 402, Korea National University of Arts (KNUA) Computer Music Center, Nambusunhwanro 2374,
Seocho-gu, Seoul 137-070, Korea Conference Venue: Building 220 Room 202, Seoul National University (SNU) Center for Arts and Technologies, 1 Gwanak-ro,
Gwanak-gu, Seoul 157-724, Korea
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DATE (VENUE) |
TIME |
SESSION CHAIR |
PROGRAM |
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Thursday Oct.
31 (KNUA) |
15:00 |
- |
Christian Martin
Fischer Estonian
Academy of Music and Theater, Estonia |
[Workshop] Motion
Graphic Notation: a
tool to improve live electronic music practice |
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Friday Nov.
1 (SNU) |
13:30 |
Registration |
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14:00 |
- |
Richard Dudas |
Greetings |
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14:10 |
Tae Hong Park New
York University |
Johannes Kretz Ádám Siska University
of Music and Performing Arts Vienna, Austria |
Analysis, Data
Reduction, Composition and Re-synthesis In
KLANGPILOT |
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14:45 |
Olaf Hochherz City
University of Hong Kong |
Associative Fields: identity and
ambiguity/presets and transitions (the first step) |
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15:20 |
Yota Morimoto University
of Birmingham, United Kingdom |
transnd.xy: machine code
dynamics in phase space |
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15:55 |
coffee
break |
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16:25 |
Richard
Dudas Hanyang University |
H. James Harkins Xinghai
Conservatory of Music, China |
Affectations/Torso: a case study in future-proofing
interactive computer music through robust code design |
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17:00 (17:35) |
Miriam Akkermann Berlin University of the Arts, Germany |
The Computer as a
Part of the Network Ensemble: Georg Hajdu “Ivresse
'84” |
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Saturday Nov.
2 (SNU) |
13:30 |
Richard
Dudas Hanyang
University |
Maurilio Cacciatore The
Conservatory “A. Steffani” of Castelfranco Veneto, Italy Diemo Schwarz IRCAM-CNRS-UPMC,
France |
Tools for the writing
of Tamonontamo (2012): a new way to relate
concatenative synthesis and spatialization |
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14:10 |
Alexander Theodore
Sigman Keimyung
University, Korea Nicolas Misdariis IRCAM-CNRS-UPMC, France Matthias Megyeri Artist-in-Residence,
Künstlerhaus Stuttgart, Germany |
alarm/will/sound: a multidisciplinary
research/installation project |
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14:45 |
Sangbong Nam Center
for Arts and Technologies, Seoul National University, Korea |
Following gestures in the mPoi, the swinging tethered
musical instrument |
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15:20 |
Christian Martin
Fischer Estonian
Academy of Music and Theater, Estonia |
Motion Graphic
Notation: a tool to improve live
electronic music practice |
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15:55 |
coffee
break |
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16:25 |
Tae Hong Park New York University |
James Andean Sibelius Academy, Finland |
Electroacoustic
Performance Practice in Interdisciplinary Improvisation |
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17:00 (17:35) |
Adam Stansbie University
of Sheffield, United Kingdom |
Between Plasticity
and Performance: an ontological account
of electroacoustic music |
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